Our Founder of Moo Duk Kwan Tang Soo Do
Great Grandmaster Hwang Kee
In the above photos, you see four generations of Tang Soo Do lineage. The culture, history and tradition begins with Grandmaster Hwang Kee, founder of the Moo Duk Kwan style (far left). His knowledge passed to Grandmaster Chuck Norris (center left), who then instructed Grandmaster Tom Bloom (center right). And Master Lauren Wasserman (far right), carries the torch as the fourth generation. The power and fellowship of Tang Soo Do passed down through dedication and passion.
A Holistic Approach: Hwang Kee believed that his newly formed style, Tang Soo Do Moo Kwan, should encompass not only physical training but also intellectual, emotional, and spiritual development.
A Philosophy for Life: He envisioned Tang Soo Do Moo Kwan as a path to inner peace and enabling individuals to navigate life's challenges with maturity, intelligence, and moral character.
Adapting to Circumstances: Due to wartime situations, the name was changed to Tang Soo Do, reflecting Korea's connection to Chinese martial arts. This name persists in many schools today.
Returning to the Roots: Years later, Hwang Kee revisited the earlier name "Soo Bahk Do," an ancient term with a rich tradition. Many schools teaching the core principles still utilize this name.
The martial arts are the military or fighting arts which were developed largely by those who were forbidden to bear arms. It is believed that a fighting art (called vajramushti) was first practiced in India prior to 1000 B.C. The martial arts then traveled from India to China where, in the Hunan Province during the T’ang Dynasty (approximately 650 A,D), monks practiced various exercises at the Shaolin Temple.
Over a period of 2000 years, Buddhist monks in China, Japan, and Tibet first developed Jujitsu as a weaponless system of self-defense. Judo, created in 1882, is a subsequent modification of the many jujitsu holds that were considered too dangerous for sport competition. A further modification which emphasizes blows with the side of the hand is known as atemi in
Judo; as a separate development it is called Karate.
KARATE translates to “China hand.” After the Japanese occupied Okinawa during the 1 500’s, the Okinawan farmers were stripped of their weapons and secretly practiced te (pronounced “tay” and meaning “hand”) as a method of self-defense. Thereafter, the Japanese changed the translation of Kara-te to mean “open hand”
There are now approximately 100 various styles of Karate. Differences can generally be categorized by the following.
JAPANESE: employs linear patterns and straight-line techniques. Major style > Shotokan.
CHINESE: uses “soft style” circular blocks, graceful movements, and low stances. Major style > Kung-fu.
OKINAWAN: uses linear techniques plus circular blocks. Major style > Shorin-ryu.
HAWAIIAN: uses linear and circular moves. Major style > Kenpo.
KOREAN: emphasizes kicks and linear techniques.
Major styles > Tang Soo Do and Tae Kwon Do
Korean Master Hwang Kee, after training in Northern
China where he learned the Tang style, developed TANG
SOO DO in 1945. Its influence now is approximately 50%
Korean, 25% Northern Chinese, and25% American; equal
emphasis is placed on proficiency with hands and feet.
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